Jonas Mekas Movies

Imperfect 3-Image Films | EUA, 1995, 16 mm, pb-cor, 6' ... MOCAtv Presents 'In Focus' - Jonas Mekas - The Artist's Studio by MOCA 9,101 .

From the diaires This was taped during the editing of my film As I WasMoving Ahead Occasionally I Saw Brief Glimpses of Beauty. It shows how I work,...

Provides a rare glimpse into the world of George and Mike Kuchar, underground filmmaking brothers from the Bronx. Get to know the Kuchars, casually...

Four-part video made in 2003 and 2004. The first two parts were presented at the Venice Biennale of 2003 as part of the Utopia Station project. An...

On January 1st of 2007, Mekas began his epic "365" project inspired by the Italian poet Petrarca and his Canzoniere. Releasing one film for every day...

Jonas Mekas' video letter to John Hanhardt, in which he declines an offer for Anthology to be taken on by the Guggenheim, insisting that they must...

The film is arranged in six chronologically-ordered parts, each filmed in a different location during Oona's third year.

This was filmed at Anthology Film Archives on May 31, 2000.

A wholesome moment: Jonas Mekas, MM Serra, Ken Jacobs, and Flo Jacobs take lavender from a stranger's bush.

A record of a journey through Italy, filmed in 1967.

A young woman stands by a car while scenes from metropolitan life flash by.

This was taped in March 1990 at my 491 Broadway place. It is with Allen Ginsberg, Gozo Yashimasu, Leo Adams, others.

Alexander Kluge - October 22 2016

This very special film features a carefully curated selection of some of the priceless messages that have graced Anthology’s voicemail system...

Clip from Walden.

Part Two of John Zorn's COBRA (see April 16 for Part One).

An essayistic film journey with Jonas Mekas, the living legend of avant-garde cinema—who, at 90 years old, still dances and sings, wiry and...

The life and work of Fluxus artist George Maciunas as seen in clips filmed between 1952 and 1978.

This documentary cracks open the meticulously constructed façade of Andy Warhol, exposing the complex figure behind the soup cans and...

In 1969, Leonardi traveled to the United States to write a book about the New American Cinema. Using a Super-8 camera, he made a film-diary of this...