Bill Mousoulis Movies

Shots inside and outside a flat. White, pure shots, with a golden conclusion.

A film portraying the thrill of convalescence. A man bows his head, but also walks upright. Music by the Smiths.

A woman goes out, boards a tram, and looks at things.

A life veiled, by a very old tree. Rock solid. One shot. From darkness to light, the aperture opens. Only one thing can be said: vale Karen Carpenter.

A look at the life of a 16-year-old girl, focusing on the person she loves and what happens to him, and how it affects her.

A love poem, set to Big Star's song "Thirteen".

A high school student, heartbroken, considers suicide.

A bicycle seat. A roof. A car park. Light. Shadow. The aperture control. Piano. Synthesizer. Delay effects. A sci-fi/horror fantasy ... the shadows...

A photo of a woman, some heavenly skies, and the Pixies' "Hey".

A diary film, chronicling six days in the life of a woman in her early 30's. A portrait of isolation, striving, rejection and hope.

Pictures of models from magazines, set to Koo de Tah's "Body Talk". A controversially feminist meta-narrative.

Shots inside and outside a house.

Jarman was blue. Mousoulis is green.

A young woman deals with her boyfriend leaving her.

A tribute to Alex Chilton, Luis Bunuel and Max Le Cain.

A hybrid film, part-documentary, part-fiction, on the history of Greek radical music.

Various shots of streets.

A flash through Bill Mousoulis' first 25 years of filmmaking, glimpses of all his films.

Heavy rain. Then, a change. Melbourne.

Various shots of streets, and Mousoulis household.