Michel Auder Movies

Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's...

One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated...

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All...

Documentary portrait of Henri Langlois, co-founder of the Cinémathèque Française.

The Chronicles capture the natural and cultural beauty of Morocco from its ancient walled villages to its nomadic caravans. Music comes from...

From its fiery outset, Brooding Angles is decidedly gothic and the mood anxious. It is a dark rumination on the specter of authority, resistance and...

Phone video by Michel Auder.

Warhol Superstars Viva and Louis Waldon are the main subjects of Auder’s first film with synched sound, Keeping Busy (1969), which was billed...

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

A portrait of Rome that would have made Plutarch proud, Roman Variations was made during a residency at a studio provided by the gallerist Barbara...

“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier Mosset's exhibition openings. A psychedelic game...

Reel-to-reel video by Michel Auder, recorded 1971, edited 2009. Features Auder's former wife Viva.

"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante

In Michel Auder's short video Talking Head, a young girl (presumably his daughter) is occupied with a plastic toy-package of some sort. She talks...

Michel reads a book about love, with pictures of naked ladies flashing by and a song by Laurie Anderson playing in the background.

Narcolepsy includes footage shot with a small hand-held digital video camera, mobile phones and underwater devices. The videos appear on one monitor...

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated...

The thrill of cocaine becomes a metaphor for the consumption of images in this short montage. The title and lyrics come from Auder´s friend and...

Video recorded in NYC by Michel Auder in 1983, edited in 2009.